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By the turn on the 20th century, amateur advisors and publications were increasingly challenging the monopoly that this large retail companies had on decor. English feminist author Mary Haweis wrote some widely read essays inside the 1880s through which she derided the eagerness that aspiring middle-class people furnished their houses in line with the rigid models wanted to them through the retailers.[10] She advocated anyone adoption of any particular style, tailor-made to the average person needs and preferences in the customer: "One of my strongest convictions, and one from the first canons of fine taste, is always that our houses, just like the fish’s shell as well as the bird’s nest, really should represent our individual taste and habits. The move toward decoration being a separate artistic profession, unrelated to your manufacturers and retailers, received an impetus with all the 1899 formation with the Institute of British Decorators; with John Dibblee Crace as the president, it represented almost 200 decorators throughout the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, that 10 were women. Rhoda and Agnes Garrett were the primary women to teach professionally as interior designers in 1874. The importance of their work with design was regarded back then as using a par with this of William Morris. In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their applying for grants artistic design to a wide middle-class audience.[12] Take a look at my web page: xây nhà phố"

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